What I love about this collection, is that the arrangements show the mind of a brilliant individual and a musician trained in his craft. Previn has been around for a long time, known of course as a film composer, Art music composer/performer, and Jazz artist. Jazz players, don't pass by this collection without giving it some thought! Piano and bass lines are fully transcribed, along with a drum sketch score. Jamal weaves a seamless musical tapestry in this folio of 10 standards and original compositions. if in doubt, you might appreciate the suggestions.Īcclaimed by and influencing Miles Davis, Ahmad Jamal is a pianist noted for his very melodic improvisations. Doesn't mean anything necessarily, all the others are excellent as well. This is a must have for jazz or rock keyboardists.Ībove collections marked with ** are personal favorites of Dr. Keyboard Runs For The Pop and Jazz Stylist ** - with CD. 2 (Roed) **ĭan Coates Complete Advanced Piano Solos ** 1 (Roed) **Īdvanced Piano Encyclopedia Vol. I've played them all, which is why I love to recommend 'em! - RVĪdvanced Piano Encyclopedia Vol. ![]() Lou Stein: The Professional Touch - with CD Keith Jarrett - The Koln Concert - very hard to find! Judy Carmichael - Introduction to Stride Piano Jelly Roll Morton - Collected Piano Works Owner, Sheet Music Online ALL COLLECTIONS ON THIS PAGE ARE MAINTAINED IN STOCK Ahmad Jamal because they are hard to find, may be out of print sometime in the near future, and quite simply deserve to be here and nowhere else!Īll collections on this page have been reviewed and are recommended by Dr. Other collections are included on this page as well (e.g., Charlie Parker). or for pieces that were actually arranged by the jazz masters.this is the place! The following titles are for upper intermediate to very advanced players, many are transcriptions. Please allow this page to load completely before clicking on anything.įor those looking for the actual notes the jazz masters played (and are playing!). Note: this is a huge web page, the most comprehensive on the Internet. It has since been performed and recorded by many artists and continues to be a mainstay in the repertoire.Free Downloads - music education resources Frank Sinatra’s 1953 recording with arrangement by Nelson Riddle was highly influential in boosting the popularity of this composition in its day. The first recording comes from Dinah Shore in 1944. This song has been recorded over 400 times. Bars 6-7 are usually treated as simply V - I, although a common reharmonization is to insert a II-V of III which arrives at IIImi in the 7th bar instead of IMaj7. ![]() Whereas the harmony is rather malleable, it is important to maintain the integrity of the descending bassline as the theme is stated. For example, bar 3 as played in Eb can very well be: Ami7b5 – Ab7, or F7/A – D7, or even Ami7b5 – Abmi6. ![]() The first 4 bars of the A sections typically see many varying reharmonizations which are generally along the lines of tri-tone and like-function substitution. The contrary motion between the descending bassline and the melody immediately gives the song a distinct character. ![]() Although many musicians have recorded it in other keys, such as Coltrane in Ab, Bill Evans in F, Bud Powell in C, and Paul Desmond in Bb to name a few. Most likely due to the fact that this tune initially showed up in many real books in Eb Major, this has become a common key. Taken at a wide variety of tempos, nearly always swung. Debuted in the 1944 film Belle of the Yukon.
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